Q&A with Andy N (co-host of SpeakEasy)

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How did you first hear about SpeakEasy and when did you get involved in co-hosting the event?

It came about by chance actually I think from my Father who heard about at Stretford Library somewhere around June or July of 2015 and I ended up going down to the 1st

Although I was / am an experienced writer / reader, I was out of practice at that stage (long story which I won’t go into great detail) and I can remember feeling a little bit nervous by the excitement. The welcoming, low key nature of it (advertised as living room literature — the room where it is hosted reminded me of a living room) won me around and I became a regular for the next two years or so.

At the end of summer 2017, Dave who had been running Speakeasy had to step aside and Steve agreed to take over at the end of that year. Steve couldn’t host one of these events at the start of 2018. I came on board to do guest MCing (or hosting) and since then I’ve kind of just stayed on-board assisting Steve to run it ever since.

Manchester has a lot of spoken word nights. How is SpeakEasy different from those?

 One thing Dave started off when he created the night — which me and Steve carried on — is that all of the readers are the headline acts. Everybody who reads is treated the same and given the chance to read out their poetry across two halves, a total of six minutes’ worth of poetry, short stories, flash fiction or creative non-fiction. I am also proud of the supportive atmosphere, whether experienced or brand new to reading out work. SpeakEasy is a place free from Ego’s, filled with nothing but encouragement. It has a vibe I haven’t experienced in any other venue, which feels like you are reading out in the company of friends. That’s probably the reason why I agreed to help Steve out with the night originally. I’m a regular at quite a few other nights, but Speakeasy is something special. I read it described elsewhere as “The venue itself is quirky and uncanny, with an array of lampshades that remind me of a David Lynch film.”

Indeed, the atmosphere and low-key theatrical vibe of the space, helps to give Speakeasy its own distinctive identity. With a warm and convivial bar area and a quiet back room devoted to the performances, the overall feel is welcoming, informal and encouraging.

What would you say to anyone who wants to read their work out, but feels nervous?

Just do it. Personally, I think the main battle is to get up and just do it. I found when I first read, I was shaking beforehand, but was buzzing afterwards. Over ten years later, I haven’t stopped since in one form or the other. I took it slowly and found the nights that suited me as a person and a writer. I’ve have carried on since, writing a few books, performing in a lot of places, I’ve fronted a few bands and now run a few Podcast series — building myself up slowly.

Can you describe the first time you performed your work in public?

 The first official time (although there was a few minor times before that) was at Manchester Central Library at the start of 2008. I joined a poetry discussion group the year before called Poetica. The guy who ran it announced at the end of 2007, he wanted to do a low-key reading showcasing the group. He told us all not to worry to as it would be a quiet little reading and just a bit of fun. It wasn’t as there were over 50 people there. I was shaking like a leaf right up until I got on stage. What perhaps helped me out with this was asking a friend of mine Tony to come onto stage and read out the third piece with me called Airport which was a spoof about Airport Security. That piece went down really well, but I always remember it more than anything for the way I delivered the punchline four lines early. It was pointless carrying on owing to the laughter I got off the audience there. It was great fun, but I was shattered afterwards.

What is your favourite thing about performing your work at SpeakEasy?

Seeing people’s faces who are new to reading or listening, when they realise what can be said with the spoken word.

Is there anything else you’d like to tell people about the night?

SpeakEasy is on the first Wednesday of each month’s at Stretford’s Sip Club 7.30pm doors open for a 7.45pm start. Our Facebook page is https://www.facebook.com/speakeasymanchester/ or bookings can be taken by Steve on stevesmythe50@gmail.com

 

 

 

 

 

 

 

 

Salford Punk Poetry Sadness Death New Life (Guest post by Dominic Carlton Jones)

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Salford Punk Poetry Sadness Death New Life is the title of my debut album released By German Shepherd Records on 05/10/18. It’s a nine-track album of 36 minutes in length, bringing together a vast and eclectic style of musical form and spoken word. Ballads mixed with the experimental. Electro pop mixed with poetry. Its Diversity is an ethic I’ve always held to and striven towards and serves as a great medium for the emotional content of the album.

The album centres around my Dads death from Bowel cancer in January of this year, and goes on to explore themes like Geographical place, connection with your community, death, the afterlife and self-harm. There are references to actual places around Greater Manchester/Salford, people I’ve met and bands such as The Chameleons and The Fall. The Fall reference is in the song “Mark” which is a tribute To Mark E.Smith, who also battled the disease. The Chameleons reference is in the First track “The Lines That are Drawn”. Both of those bands have had a significant influence on me over the years and considering the theme of the album, I wanted to make reference to them.

The album starts with the Spoken word. A track called “The Lines that are Drawn” which depicts connection with local people. These things came more into focus after my dad’s death, so I wanted to highlight that feeling. The track really sets the tone for what is to come.

At a gig I played, I noticed a spoken word crowd was drawn to my songs, so felt that this genre incorporated with my music would be a good addition, added to the fact I value words and think words in themselves delivered in the right way can be very powerful. A video promo is currently underway for this particular track.

Next up is “Set Aside”. This is a throwback to post-punk, dealing with violence in the streets Of Oldham and violence in the streets of the mind. Its existence is quite widespread in these northern streets.

“The Spring within” deals with spiritual connection whilst “Forward Momentum” feels like a blinding burst of energy amongst the everyday. Three songs then follow about my Dads death with “Fall over into something new” being the standout track of the album and in contention for song of the year 2018 by Twitter group FIND A SONG.

“Mark” is a tribute to ex leader of The Fall, Mark E Smith, who also battled Bowel cancer. The album ends with a 10-minute synth composition called “My right eye is bleeding”, A Great contrast to the wordiness of the album. The title came about through words of my father in a dream to my girlfriend in which he asked her to look after me through mistakes I was making, resulting in my right eye bleeding. A fitting end…

Since the album’s release I have been offered a gig at The Kings Arms on the 25 January 2019 under The EL-Manisero banner, which is in effect a monthly showcase event for Manchester artists This was reviewed by Ian Leslie of The Salford Star as being synonymous with Salford’s Changing landscape and poetry for the people, and cited in Louder then War Magazine as an album that’s making Waves Locally.. It already feels a success but would be even more so if people reading this either listened, shared, sent me feedback or bought a copy. £2 on every sale through the link below goes back to German Shepherd Records, which helps us to continue putting out local cutting-edge music.

https://germanshepherdrecords.bandcamp.com/album/salford-punk-poetry-sadness-death-new-life

Podcasts, a poetry reading in Bolton and a chance to win my book

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Firstly, Andy and I were guests on Welcome to Bolton, which you can listen to here.

https://overcast.fm/+Mmf0m1iKk

Now, because I’m awkward, a lot has changed since the podcast was recorded. My book “While I was gone” is now called “Lost and Found: Part 1″ and is under the pen name “Aleesha Black”. The link to it is here.

https://www.amazon.co.uk/Lost-Found-Part-Aleesha-Black-ebook/dp/B07DY26Q72/

I will still be reading at The Wigan Diggers warm up bash in Bolton, but not from my book. Although, if you do want to hear me reading the first chapter, it is available at the link below. This was recorded back in May from the previous version, and I struggled in parts due to the words hanging off the pages, but the story is generally the same now, with the exception of improved editing and formatting in the new version.

http://www.podcastgarden.com/episode/amanda-steel-while-i-was-gone_128182

Finally, if you are in the UK you can enter to win a copy of Lost and Found: Part 1. All you need to do is go to my book trailer on Facebook and share it. One winner will be picked after the closing date of 1st September 2018

https://www.facebook.com/AmandaSteelWriter/videos/1833528343622063/

 

A small victory for Manchester’s homeless

Manchester council took some of the homeless people to court over the homeless camps they were residing in. The councils aim was to have them sent to jail. Their crime was having nowhere to live and wanting to create an environment as safe as possible to sleep in, within their limited circumstances. However the judge chastised Manchester council for their lack of evidence and information on the defendants and ordered them to pay the full legal costs of the defendants. CLICK TO READ FULL ARTICLE

More bad news for Manchester’s homeless

Eviction and dismantling of The Ark

On Friday 18th September the homeless shelter known as The Ark which was put together by the homeless and supporting members of the public was dismantled by bailiffs and police. They were acting on behalf of Manchester University who own the land on which The Ark was situated. The pleas of over 3,000 people who signed the petition to keep The Ark were ignored. CLICK TO CONTINUE READING